Representing the Brooklyn Bridge, 1883-1950

with essays by Sarah Kate Gillespie, Janice Simon,
Meredith Ward, and Kimberly Orcutt

Designed for the Georgia Museum of Art, University of Georgia,
by Nathan W. Moehlmann, Goosepen Studio & Press

Quarterbound with double ribbon markers and slipcase:
$55.00 | 136 pages | 9.5" x 12" | Fall 2016
ISBN 9780915977956

In the words of scholar Alan Trachtenberg, “the Brooklyn Bridge symbolized and enhanced modern America.” From its opening in 1883 to the present day, artists have repeatedly depicted the bridge as a stand-in for both the city of New York and for the idea of modernity as defined by that city’s urban life. Such representation was particularly true during the period this exhibition treats, when artists were engaging with new forms of visual representation such as Impressionism, Cubism and Precisionism. Artists utilized newly built structures such as the bridge, the Woolworth building and the Flatiron building in conjunction with these innovative formal techniques to underscore the contemporary nature of their artistic production. By compiling a selection of works in varying media that feature the Brooklyn Bridge from artists on both sides of the Atlantic, this exhibition examines these modes of representation and how artists grappled with a particularly American brand of modernity as both positive and negative from U.S. and European perspectives.

This show features approximately 40 paintings, works on paper and photographs by major American and European artists, primarily borrowed from leading institutions and private collectors. Artists include Georgia O'Keeffe, Edward Steichen, Joseph Stella, George Luks, Jonas Lie, William Louis Sonntag Jr., Reginald Marsh, Louis Lozowick, John Marin, Childe Hassam, Ernest Lawson and Samuel Halpert, among others.